Movies

Movies Potpourri Vol 2

Movies Potpourri Vol 2

Continuing my commitment to write something about every movie I watch! Here are all the films I've seen since the last potpourri post.

Captain America: Brave New World (2025) - Theater - Watched 2/21/25

You can almost fully, tactile-like *feel* the rewrites and the shuffling that happened here and it lead to some totally gonzo moments. To be wicked honest I tend to not care about things like this, since I just like to watch movies and have the world be as it is in the film; I like to just accept what I'm offered. But from an almost like, writers' workshop perspective I find this whole thing fascinating.

One my wife and I couldn't stop tooling on is that we have the concept of the white pills that Ross is taking, right? Well we need the pills because that's how we've decided that Ross is gonna end up being a Hulk, and we've decided he's being tricked into taking them because they're the magical cure for Ross' heart--so the pills need to be there, we're wedded to them.

But now we also need to communicate that information to the audience, so let's have Sam stumble into some info about the pills at the secret base, but not know what they are yet. Ok good nice yeah, cool, perfect. But wait, Sam is gonna wonder what they are...hmm ok so Sam would want to figure out what the pills are. Who do we have who can analyze these? Could we get Ruffalo into this kinda-sorta-Hulk sequel? Nah. How about a chemist-based character at all? Nah. Let's have Sam's Seal Team Pure White Friend just kinda know a guy.

Ok we're in our final act--it's gonna be HULK TIME BABY ok cool. But wait, we can't have Sam know what the pills are yet right, because we want the final act to happen. But we have to address that the Seal Team Man isn't going to like, slow roll the pill analysis, and we can't just leave that hanging. Do we maybe film some cut-ins that are Sam calling him and him being in a lab going "hey Seal Team I need that analysis" or whatever? Nah can't do that because Sam doesn't have any idea that there's urgency attached to it. Hmm...I guess we have to take Seal Team off the board entirely? What are our options to kill him? Oh let's use our mind control thing; it's perfect! Oh wait no because we already did a whole thing earlier to prove none of the Seal Team guys are compromised. What villains do we still have on the board? Sidewinder doesn't have a reason to...ah damn I guess we just need to have Brain Man do it. So let's have Brain Man shoot him? No that would draw attention I suppose, and Sam might just fly back to that. So maybe have it look like an accident? But how? I guess he does like, sound based mind control so he'll have a...sound...device? That does sound-based...heart attacks? Let's not worry about why he didn't use that at any prior time, or on the Admiral and Admiral's wife he killed earlier.

In addition to all of that, the only remotely interesting fight choreography was in the very very beginning and it felt. so. slow. Which was a shame.


Jesus Christ Superstar (1973) - Watched At Home - Watched 3/21/25

My wife's pick for movie night this week, while we also at our Lenten Friday fish+chips just to round out the whole Jesus-ness of it all hah!

What I really loved about this adaptation is it felt so...lawless? I don't know how to say what I mean exactly, but it didn't feel like a full on musical *adaptation* but it also didn't feel like a sort of 'National Theater Live presented by Fandango' sort of thing where they just filmed the stage.

It felt like a music video, in an era of fairly nascent music videos (I suppose you could more accurately say each number was its own video)


Fateful Findings (2013) - Watched At Home - Watched 4/17/25

Some lovely friends brought over Fateful Findings last night for a movie night, and I'll admit that I hadn't heard of Breen before watching, and now I'm left absolutely fascinated.

There's a scene where he's talking to his lover while eating (handling? holding? ...it's ostensibly eating...but i digress) a plate of unadorned spinach. He then sets it down and we get a cut to the plate of spinach precariously balanced on some papers, then it falls, and we cut back and forth to each characters' face as they mischievously smile.

I have to say: I was both flabbergasted and hypnotized by this movie and wound up finding it incredibly charming if only for the fact that choices were being made. I'll take "interesting" over "boring" any day, and Fateful Findings was never boring in a traditional sense, but was instead "boring" in the way watching an improv troupe fail their way through a performance--there's something there for your brain to digest, like, "why did they say that? why did they make that choice?"

Brecht once said something to the effect of it being better to be human than to have good taste, and while all signs point to Breen being an alien being of some sort who has borderline wretched taste, it would be hard to argue that there isn't *something* very human in this movie


The Philadelphia Story (1940) - Watched At Home - Watched 4/18/25

My wife and I watched this (at her choosing!) for a stay-in dinner-and-a-movie date night and we both absolutely fell in love. Firstly, I have to say that the script these actors are working with is absolutely unreal--it's witty, it's genuinely funny, it's smart, it's layered and overall it's just brilliant. I love this sort of stage adaptation, where it's "just" a parlor play with people talking back and forth--it moves quickly (but not fast) and just melts like butter on your eyes and ears.

We also have, in Grant, Hepburn and Stewart, three incredible actors at the peak of their powers. All three of them turn in gems here, with choices and subtle touches and reads that I can imagine would make any aspiring actor (then or now) want to just give it up. I mean that for real like, the work being done here is so pitch-perfect it would be hard to watch and not be discouraged. I suppose the flip side would be to learn from what they're doing and apply it to ones own performance style.

You just can't take your eyes off any of the three of them--or any of the supporting actors either! Everyone turns in the performance of a career here.

This is one of those sorts of older films that I wish I could show to folks who tend not to watch older movies; The Philadelphia Story is about as perfect as films get, and you absolutely need to check it out


Thunderbolts* (2025) - Theater - Watched 5/2/25

The back of my journal has this two-page spread that has one hundred areas for entries--I decided to use those pages only for art (tv, games, movies, songs, books, whatever) that like "deserved" a spot back there. I didn't want to create a rubric, I wanted to shoot from the hip, like, "is this top 100 *whatever* of the year worthy?" This is my first year using those pages even though past years of this journal have had them, so I don't even know if I'm pacing myself well. We're now in May and so it stands to reason there should be what, almost 40 entries by now, but there's not even 25 yet.

And so I come to Thunderbolts.

Reader, I cried at Thunderbolts. There's a sequence where Florence Pugh comes across a memory of herself having more or less tried to kill herself and I thought it was incredibly effective. I really loved what Pugh was doing the whole movie. I really dug how for the first let's call it 15 seconds of the movie you're thinking, "oh is Florence Pugh going to jump off this building (bad way)" but it turns out she's jumping off the building (spy way). And also I never saw the TV show he came from but I thought the guy Wyatt Russell was playing was great too.

It moved me! My wife and I saw this for a date night and we laughed and just kinda had a blast.

I thought everyone was genuinely funny and charming and there was a lot of earnest feeling! I don't know if y'all will be able to pick up what I'm putting down here but there were quips but not like, the bad kind.

I told a friend that my criteria for including something in the back of the journal is whether I really felt anything interesting or *thought* about the art, because that seemed like a good barometer. And here I am now two weeks after having seen this thinking, "huh, I really had a fun time with that". I guess that's that.


Imagine Me & You (2005) - Watched At Home - Watched 6/5/25

[disappearing from a dinner party with people who previously paid you a large sum of money to go sit on their roof during the rain] hmm how long until someone comes up and notices me

This movie was very cute


Ford v Ferrari (2019) - Watched At Home - Watched 6/8/25

Absolutely loved this--totally engrossed and entertained. Just total "guys rock" stuff with Matt Damon doing a pretty solid Tommy Lee Jones impression


The Phoenician Scheme (2025) - Theater - Watched 6/29/25

Had an absolute blast with this; I could watch Jeffrey Wright's sequence a thousand times. Also it's a hell of a thing to see Wes Anderson's take on 'Silence'


Predator: Killer of Killers (2025) - Watched At Home - Watched 7/3/25

What can I say but *ABSOLUTELY* hell yes. Had a total blast from start to finish with this. Animation was cool, fights were awesome--what more can a gal want.

"You failed, Grendel King" goes so hard


A Real Pain (2024) - Watched At Home - Watched 7/4/25

Jessie Eisenberg plays an introverted person with OCD who doesn't deal well with chaos and is mostly introverted, which is, well, pretty relatable to me personally

Culkin's performance is stunning, and honestly so is Eisenberg's

I really enjoyed this


The Big Lebowski (1998) - Watched At Home - Watched 7/5/25

Every time I rewatch this throughout my life I find new things that I love about it

All timer, simple as.


Superman (2025) - Theater - Watched 7/13/25

As a demonstration of why I'm not a very good writer I'm sitting here unable to really articulate my thoughts without using the words "heart" or "earnest", so I'll put it this way: there's a lot of my sensibility in this, and I didn't expect that, so I ended up enjoying this a lot more than I thought

I really liked that it's not sexless; I liked that people seemed to have real feelings and relationships; I thought Krypto was very cute

I think if you asked me, "hey you wanna watch a Superman movie? Which one?" I'd still want to watch Man of Steel first, but I dug this a lot—I even cried!


The Fantastic Four: First Steps (2025) - Theater - Watched 7/26/25

What a fun time this was! I wish there was way, way more Herbie though—he was adorable and I have a huge soft spot for little robots

This movie marks two consecutive Marvel films that I've really really enjoyed largely because of the chemistry of the casts and the emotional human element. If they can keep that up I think I'll really find myself looking forward to the next ones 😅


Mountainhead (2025) - Watched At Home - Watched 8/4/25

I thought the one bit of "explain horrendous thing using tech bro language" stretched out to movie length wasn't very good really, but it got me through my bike ride


Jurassic World Rebirth (2025) - Watched At Home - Watched 8/6/25

Watched this on the bike today after definitely thinking of it as "I'll watch it on an international flight this fall" sort of thing and you know what? Graded on the curve of "sat in a plane seat / sat on an indoor trainer" this was pretty damn entertaining!

ScarJo honestly seems like she's having a blast, and the main museum guy was pretty charming and really sold the meeting-the-dinos scene!

Turns out if you combine all of the beats from the first JP with all of the beats from Aliens you get a pretty solid flick


Pirates of Silicon Valley (1999) - Watched At Home - Watched 8/11/25

I had always heard good things about this--peoples' opinions always seemed to crop up around the release of anything kinda adjacent to it, and I think the first time anyone ever recommended it to me was after seeing the trailer for 'The Social Network' back in the day

I finally watched it and I'll be damned--it is pretty damn watchable! The Pitt heads (myself included) will absolutely go "holy smokes look at twink Noah Wyle" and also John DiMaggio which I think is pretty funny.

Everyone turns in like, pretty rad made-for-tv-movie-melodrama style performances (positive comp) like Anthony Michael Hall is wearing a Bill Gates Noh Mask

In addition to all of that, this is a fascinating cultural/historical document because sitting here from 2025 you want to project your consciousness back in time to 1999 and be like, "oh my god just wait you haven't seen the half of it!" Predating the iPod and everything is absolutely so wild, since I think it's what spares any of it from feeling like the sort of hagiographies that the Fassbender one is

It's a breezy watch and I gotta recommend you check it out! Oh oh the first like 5 minutes gives big time heavy 'Sneakers' energy, in a way that I think is really charming


Weird: The Al Yankovic Story (2022) - Watched At Home - Watched 8/18/25

I say this as a someone who was president of her high school's drama club Sophomore, Junior and Senior year. I say this out of love

I bet this absolutely kills at theater kid hangouts


Eddington (2025) - Watched At Home - Watched 8/23/25

This movie made me think of how someone in my life who was an academic of theater and a great actor and director once said, as we walked out of a very flawed play, "they went a little wide, there."


High and Low (1963) - Watched At Home - Watched 8/24/25

Impossible for me to say anything that dozens of folks haven't already said, so I'll just say I loved every second. The way everything is staged, the layering of the actors on the screen, the procedural, the performances...all as good as it gets!


Movies Potpourri Vol 1

Movies Potpourri Vol 1

As part of my wanting to commit to writing something about every movie I watch, so I'll be compiling smaller movie thoughts and screens into potpourri volumes!

Conclave (2024) - Watched At Home - Watched 1/3/25

Ralph is an all-timer for me and he's doing some good work here in a Vatican political thriller

Utterly and completely blindsided by Intersex Pope


The Emperor's Naked Army Marches On (2003) - Watched At Home - Watched 1/31/25

I found myself reflexively covering my eyes during some scenes, which even in the moment I found to be a really shocking impulse of mine. This man was directly confronting--head on, in their homes--men who committed unspeakable acts.

This man was attempting a pursuit--in his own way, to be sure--at justice, and I was reflexively covering my eyes sometimes out of...what...second-hand social discomfort?

Incredibly riveting doc here of a fascinating guy.


Enron: The Smartest Guys in the Room (2005) - Watched At Home - Watched 1/26/25

I was the exact right age to feel the pop cultural impact of Enron: the late night show jokes, the high school teachers cracking Enron jokes...the headlines and ubiquity across the board of such a huge scandal was unmissable if you were like, older than 12.

But I'll admit to the here and now that I didn't really know, until watching this doc, what exactly Enron did and was, and I sat slack-jawed during huge parts of it. The blatant lying, books-cooking and grift. Tens of thousands of lives ruined, not even counting the California rolling blackouts section, which made me want to scream.

Absolutely buck wild how the people creating this doc and the contemporaneous viewers didn't have a clue about what was going to wallop the economy in exactly the same way only 3 years later.

Guys like this just keep getting away with it, forever and ever on and on.


How to Make Millions Before Grandma Dies (2024) - Watched At Home - Watched 2/2/25

Ahhh gosh this was a deeply-felt, lovely and ever-so-slightly melancholy movie! I absolutely adored it.

I don't have any grandparents left and I've always felt a sense of a sort of "I wonder what could have been" in a different life where they had different views and didn't live all the way across the country

Anywho, both my wife and I criiiied and criiiied at the ending part—the life-affirming catharsis kind of crying


Shin Kamen Rider and Shin Ultraman: My Thoughts

Shin Kamen Rider and Shin Ultraman

Shin Kamen Rider

I've never been the biggest fan of tokusatsu shows, but I imagine that's maybe a consequence of my exposure being incredibly limited. Like most folks my age the majority of my exposure to the genre came from the Sentai stuff brought over to the States with Power Rangers (and for me in addition to being a Power Rangers nut, I also loved Super Human Samurai Syber Squad—which was a Power Ranger-ing of Gridman). Also as a quick side-note, the Mystic Knights of Tir-Na-Nog was *not* an adapted Japanese show and was apparently Haim Saban's attempt at making a Made In The USA tokusatsu.

All of that is to say that the existence of Kamen Rider only became known to me when I got more online throughout my childhood/tweendom through the 90s and by then, shows like that were shoved into the part of my brain reserved for "kid stuff" without a lot of nostalgia.

So I was sort of the perfect audience for a movie like this: generally-aware-of-the-thing-with-maybe-a-bias-towards-wanting-to-know-what's-up-with-it-without-having-to-dive-into-50-years-of-history

And I absolutely loved it. In broad strokes, I absolutely loved how this movie just went for it, right from the jump without any origin or quips or self-effacing negative self-awareness. "Ok, this is a grasshopper man who rides a motorcycle and certain folks turn into foam when they die, bing bang boom."

As a lifelong comic books nerd, this treatment and attitude—one whereby the world the characters inhabit is treated just-so as opposed to trying to make it "realistic" or whatever—is what I always wished for, and so I was completely floored by this in the same way I was by one of my all time favorite movies Speed Racer.

Above and beyond how much I adored the earnestness and the "they just went for it"-ness of Shin Kamen Rider, I also loved all of the effects. The clones of our gal all dying at once and turning to foam was genuinely shocking, and the transformations of the Augs were genuinely off-putting. I loved the fight choreography and the all the flipping, and probably my favorite thing in the whole movie was how the final fight turned into a really messy brawl. It wasn't fancy and choreographed and full of trading super-powered attacks—it was just two guys rolling around with their leather outfits and boots squeaking as they tried, exhausted, to get the upper hand. Genuinely awesome, and (in a recurring refrain) I wish western superhero movies had the guts to treat some fights like this; I think Syder's Superman/Zod is the only one that gets close.

Above and beyond the fighting and aesthetics, I found it genuinely affecting at times, I think as a consequence of the material not doing any winking and treating its characters as if they're real people instead of variations on Robert Downey Jr.

I'm being harsh on western superhero movies in this writeup, which I think is a consequence of how much I genuinely care about superheroes. I'll be reading comic books on my death bed; I love capes a lot. I've spent the last 25-or-whatever years going to western superhero movies hoping they would treat their characters like this movie does.

I don't know how lifelong Kamen Rider fans feel about this movie—I imagine it's seen through the lens of what I imagine are a lot of retcons, or getting the continuity wrong or whatever. To those people I would say, "that's totally fair", but I appreciate this movie for giving me a look into what seems like a pretty awesome hero and a look into what a superhero movie could be, if we want it to be.


Shin Ultraman

I could not get enough of the smirking charisma of Manifilas—absolutely masterful work by that actor

I loved this. Watched it back to back with Shin Kamen Rider


Nosferatu (2024): My Thoughts

Nosferatu 2024

In an effort to be journaling about and recording my thoughts about the media that I watch/play/etc in 2025(ish) I'm a bit disappointed that I feel a little silly about not having many thoughts about Nosferatu.

I tend to gauge how much a piece of art hit me by how much I want to talk about it in the car on the way home--or how many thoughts are leaping out from my brain, and while I *liked* Nosferatu, it felt like it was missing...something. So to that end, I don't have an overarching emotional response, so I'm left just kinda listing the stray thoughts I do have:

- It's table stakes as an analysis of Dracula adaptations to talk about the way that this kind of Dracula media is a fascinating look into the Victorian hysteria about womens' sexuality. Our main gal in this deigned to have sex happenings as a teenager and was damned for it. I like how Eggers has Not-Van Helsing be the first one to treat our gal with any humanity ("stop giving her ether!!!")

- I loved the way this movie looked--so spooky and gross and oppressive

- Defoe seemed to "get" what was going on the most here--chewing and chomping and delivering to the back seats in every scene. Far and away my favorite scene was him sticking the needle through the gal's wrist. Incredible stuff

- The town Hoult goes to before Dracula's castle was wild--that laughing guy was great.

- I like that no harm came to any of the cats

I'll close with saying that obviously this one is in conversation with the OG Nosferatu and also Herzog's, and there's a lot of very film scholarly things to talk about here, especially in how Eggers changed up Orlok's look in this (which I think rocks), but the god's honest truth is that I'm not a horror girlie and I'm a rube who doesn't really like German Expressionism all that much so I'm not the right person to have any real opinions on that sorta thing.